File:Master of the Joseph Sequence - The Martyrdom of St Barbara - Walters 37778.jpg

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Summary

Master of Affligem: The Martyrdom of St. Barbara  wikidata:Q18749274 reasonator:Q18749274
Artist
Master of Affligem  (fl. circa 1470–1500)  wikidata:Q576860
 
Master of Affligem
Alternative names
Master of the Life of Joseph, Master of Affligem, Master of the abbey of Afflighem, Master of the Story of Joseph, Master of the Joseph Legend, Jacob van Lathem (?)
Description Southern Netherlandish painter
Date of birth/death 1480s
date QS:P,+1480-00-00T00:00:00Z/8
 Edit this at Wikidata
1520s
date QS:P,+1520-00-00T00:00:00Z/8
 Edit this at Wikidata
Work period circa 1495
date QS:P,+1495-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Authority file
artist QS:P170,Q576860
image of artwork listed in title parameter on this page
Title
The Martyrdom of St. Barbara
Object type painting Edit this at Wikidata
Genre religious art Edit this at Wikidata
Description
English: The main source for the life of St. Barbara is the "Golden Legend (Legenda Aurea)," a 14th-century compilation of stories associated with the feast days of the Church calendar. In the early 4th century, at a time of persecution of the Christians, Barbara, a beautiful virgin, was said to have been hidden away in a tower by her pagan father in order to keep away suitors. Without his knowledge, she converted to Christianity. She then had a third window added to her tower as a sign of her belief in the Trinity. Her father learned of her conversion and chopped off her head. Soon after, he was killed by lightning. Barbara became the patron saint of those in danger of sudden death, such as soldiers and firefighters.

This panel, which depicts a key moment in the legend of St. Barbara, was the wing of an altarpiece dedicated to the saint. To make the story persuasive, the artist introduced historical as well as contemporary details. The tower was made to look Roman (to contemporary viewers who had never seen Roman architecture) by introducing windows characteristic of Romanesque architecture. Barbara's elegant attire and loose hairstyle would both have been recognizable to contemporaries as those of an unwed maiden. That her long hair is swept out of the way to bare her neck for execution is also a poignant reminder of her vulnerability.

The artist cannot be identified by name, but the style, featuring large, active figures close to the picture surface, is that of a series of paintings depicting the story of Joseph now in museums in Germany.
Depicted people Saint Barbara Edit this at Wikidata
Date between 1470 and 1500
date QS:P571,+1500-00-00T00:00:00Z/6,P1319,+1470-00-00T00:00:00Z/9,P1326,+1500-00-00T00:00:00Z/9
(Late Medieval)
Medium oil on panel
medium QS:P186,Q296955;P186,Q287,P518,Q861259
Dimensions

99.8 × 37.5 × 5.4 cm (39.2 × 14.7 × 2.1 in);

framed: 115.2 × 52.3 × 4.2 cm (45.3 × 20.5 × 1.6 in)
institution QS:P195,Q210081
Accession number
37.778
Place of creation Brussels, Belgium
Object history
Credit line Acquired by Henry Walters with the Massarenti Collection, 1902
References Walters Art Museum artwork ID: 1564 Edit this at Wikidata
Source Walters Art Museum: Home page  Info about artwork
Permission
(Reusing this file)
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Licensing

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

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Date/TimeThumbnailDimensionsUserComment
current07:12, 20 March 2012Thumbnail for version as of 07:12, 20 March 2012768 × 2,025 (379 KB)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Master of the Joseph Sequence}} |title = ''The Martyrdom of St. Barbara'' |description = {{en|The main source for the life of St. Barbara is the "Golden L...

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