Open Science for Arts, Design and Music/Training/Webinars

From Meta, a Wikimedia project coordination wiki
Jump to navigation Jump to search
Open Science for arts design music   Project   Calendar   Training   Guidelines   Case studies   Report   Credits  

All webinars are in English. The recordings are released under CC BY 4.0 on SUPSI institutional webside and on DARIAH-Campus.

The webinars take place online in the room Open Science of BigBlueButton offered by Wikimedia Italia.

Link to the webinar on BigBlueButton - active during the event

Calendar[edit]

Date Title Convenor-s Slides Recording
February 8, 2023 11.00–12.30 CET Creative Commons and Open Science for Arts, Design and Music: Session 1 Brigitte Vézina, Creative Commons International
Link to the video on peertube
February 15, 2023 11.00–12.30 CET Copyright and Open Access in Switzerland Suzanna Marazza, USI-CCDigitalLaw
Recording not edited
March 8, 2023 11.00–12.30 CET Creative Commons and Open Science for Arts, Design and Music: Session 2 Brigitte Vézina, Creative Commons International
Recording not edited
April 5, 2023 11.00–12.30 CET Creative Commons and Open Science for Arts, Design and Music: Session 3 Brigitte Vézina, Creative Commons International
Recording not edited
April 19, 2023 11.00–12.30 CET A conversation with ProLitteris Noa Bacchetta, lawyer

Philip Küble, ProLitteris

Recording not edited
April 26, 2023 11.00–12.30 CET Introduction to DARIAH/DARIAH-CH Cristina Grisot, DARIAH-CH
Recording not edited
May 3, 2023 11.00–12.30 CET Wikidata for Arts and Humanities Daniel Mietchen
31 May, 2023 11.00–12.30 CET Introduction to Data Management Plan: Specifics of Data in the Arts and Humanities Dr Deborah Thorpe, Research Data Steward, University College Cork
26 June, 2023 18.00–19.00 CET Open Access to cultural heritage: Ethical issues Brigitte Vézina, Creative Commons International
tbc autumn 2023 Open access and performative arts tbc
tbc autumn 2023 Open access and multimedia publications tbc
tbc autumn 2023 Storing and Sharing Open Data: DaSCH – Swiss National Data and Service Center for the Humanities tbc

Webinars description[edit]

Creative Commons and Open Science for Arts, Design and Music[edit]

Abstract Through this series of three webinars, Creative Commons (CC) aims to help OS-ADM project members develop open licensing expertise and a deeper understanding of recommended practices for better sharing of knowledge and culture, especially cultural heritage. The CC webinars are catered to meet the OS-ADM instructional needs and will provide professional learning opportunities on selected elements of copyright, open licensing in the cultural heritage world, and how to get involved in open movements.
Goals The goals of the webinars are to hold a space for open discussions with project members with the hopes of educating and engaging in dialog on the many different topics under the umbrella theme of open culture. The CC Open Culture program champions better sharing of cultural heritage collections for the benefit of all and promotes the potential of open access to unlock universal access to knowledge and culture, pursuant to the United Nations’ Sustainable Development Goals. The webinars aim to offer an opportunity to understand CC’s mission, develop knowledge and skills in copyright and open licensing, and gain visibility among a global open culture community that stands for equity, sustainability, access, and better sharing.
Target audience Researchers, academic staff, librarians, students, administrative staff and practitioners
Organisers Iolanda Pensa, SUPSI DACD
Chiara Barbieri, SUPSI DACD
Prerequisite No previous knowledge needed.
Convenor-s Brigitte Vézina, Creative Commons International
Duration 1.5 hours
Agenda Session 1:

– Welcoming remarks, introductions and icebreaker (20 min)
– Session 1 (a) : The Story of Creative Commons and Creative Commons Today (20 min)

  • The Story of Creative Commons: the foundation of Creative Commons, copyright law’s role in the creation of Creative Commons
  • Creative Commons Today
  • Creative Commons as a set of licenses, a movement, and a nonprofit organisation
  • The CC Global Network

Session 1 (b): Copyright Law (20 min)

  • Copyright Basics: basic history of copyright, purpose of copyright, copyright is automatic, general copyright terms, global Aspects of Copyright, copyright laws differ from country to country, major international treaties
  • The Public Domain: what is the public domain, what is the value of the public domain?
  • Exceptions and Limitations to Copyright: what are limitations and exceptions to copyright and why do they exist?, few common exceptions and limitations to copyright

– Session 1 (c): The “open” fields: education, science, culture, data… (20 min)

  • Open education
  • Policy framework
  • OER
  • Open science
  • Policy framework
  • Open climate
  • Open culture
  • Policy framework
  • Contemporary culture
  • Cultural heritage and Open GLAM

– Final remarks and closing (10 min)

Session 2:
– Welcoming remarks, introductions and icebreaker (20 min)
– Session 2 (a): Anatomy of a CC license (30 min)

  • License Design and Terminology
  • What do the different CC icons mean?
  • Three layers of CC licenses
  • License Scope
  • How CC works with copyright
  • Time length of license
  • License Types
  • The CC license suite
  • CC license elements
  • License Enforceability
  • Creative Commons case law
  • Potential benefit of seeking non-legal resolutions to disagreements

– Session 2 (b): Using open content (30 min)

  • Finding and Reusing CC licensed Work
  • Search for and discover CC licensed works
  • Attribution when reusing CC licensed works
  • Remixing CC licensed Work
  • Basics of an adaptation
  • ShareAlike clause
  • NoDerivatives clause
  • License compatibility

– Final remarks and closing (10 min)

Session 3: – Welcoming remarks, introductions and icebreaker (20 min) – Session 3 (a): Using CC licenses and CC licensed works (30 min)

  • Choosing and Applying a CC License
  • Important considerations before applying a CC license or CC0
  • CC’s License Chooser
  • Factors to apply licenses
  • Things to Consider after CC Licensing
  • Changing the license terms
  • Paywalls and CC licensed content
  • Technical format of content
  • Changing your mind about CC licensing

– Session 3(b): Guided personal project (30 min)

  • Create your own work and apply a CC license
  • Conclusions and wrap up

– Final remarks and closing (10 min)

Date and time Session 1: 08.02.2023 at 11.00-12.30 CET

Session 2: 08.03.2023 at 11.00-12.30 CET
Session 3: 05.04.2023 at 11.00-12.30 CET

Location Online

Link to the webinar

Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch

Copyright and Open Access in Switzerland[edit]

Abstract The webinar aims to briefly give an overview of the principles of copyright according to the Swiss Copyright Act with the help of concrete examples, especially what are the conditions for a work to be protected by copyright and related rights, what is the difference between the role of the author and that of the right holder, and which legal licenses, such as private use, educational purposes and quotation, does the law lay down. Moreover, a brief mention on how is the second publication right currently regulated in Switzerland and how can the author publish open access will be provided, after which there will be room for questions.
Goals After the webinar participants should have enough knowledge about copyright to be more aware on how to generally manage copyrights, both when the participant creates a work (s/he is the author) and in case s/he uses someone else’s work.
Target audience Researchers, academic staff, librarians, students, administrative staff and practitioners.
Organisers Iolanda Pensa, SUPSI DACD

Chiara Barbieri, SUPSI DACD

Prerequisite No previous knowledge needed.
Convenors Suzanna Marazza, USI-CCDigitalLaw
Duration 1.5 hours
Agenda
  • Welcoming and introduction;
  • What are the conditions for a work (and a photograph) to be protected by copyright and related rights in Switzerland;
  • Who is the Author and who is the Right holder;
  • How is a user allowed to reuse an existing work, according to Swiss legal licenses;
  • How is the second publication right currently regulated in Switzerland and how can an author publish open access;
  • Q&A
Date and time 15.02.2023 at 11.00-12.30 CET
Location Online

Link to the webinar

Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch

A conversation with ProLitteris[edit]

Abstract After having covered the basics of copyright and Creative Commons licensing in the previous webinars, we now turn our attention to Swiss CMO (Collective right Management Organisations) with a special focus on ProLitteris. Managing the copyright of original works in field of literature, photography and visual arts, ProLitteris is a key stakeholder when dealing with Open Access for Arts, Design and Music.

The webinar is a conversation between Noa Bacchetta, attorney-at-law and lecturer with a focus on law in art and design as well as consultant for the OS-ADM research project, and Philip Kübler, ProLitteris CEO/Director General. The discussion will focus on Open Access with the aim of enquiring about the policies and agenda of ProLitteris on the topic. It is an occasion to clarify doubts and get some 'behind the scenes' of decision making. Speakers will discuss different case studies so as to provide a hands-on approach that might resonate with the audience. Participants are encouraged to send questions in advance (chiara.barbieri@supsi.ch) and to share their thoughts during the webinar.

Goals
  • Clarify ProLitteris' Open Access Policies
  • Answer questions and doubts regarding the function and working principles of ProLitteris
  • Discussion of case studies that provide a hand-on approach to the issues of Open Access
  • Further mutual understanding between ProLitteris (licensors) and the community of researchers, academic staff, librarians and practitioners (licensees) in fields of arts, design and music
Target audience Researchers, academic staff, librarians and practitioners.
Organisers Iolanda Pensa, SUPSI DACD
Chiara Barbieri, SUPSI DACD
Prerequisite No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors Noa Bacchetta, lawyer
Philip Kübler, ProLitteris
Duration 1.5 hours
Agenda
  • Introduction of the contributors
  • Conversation and discussion of case studies
  • Q&A with the audience
Date and time 19.04.2023 at 11.00-12.30 CET
Location Online

Link to the webinar

Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch

Introduction to DARIAH/DARIAH-CH[edit]

Abstract The webinar presents the activities, goals, network, services, tools and support infrastructure of the Digital Research Infrastructure for the Arts and Humanities (DARIAH ERIC) with a focus on its Swiss branch DARIAH-CH. DARIAH integrates digital arts and humanities research and activities from across Europe, enabling transnational and transdisciplinary approaches. Switzerland has joined DARIAH ERIC as an Observer. Located at the Data and Service Center for the Humanities (DaSCH) – that is the national infrastructure that operates a platform for humanities research data that ensures long-term access – DARIAH-CH coordinates and promotes DARIAH activities in Switzerland thereby furthering the development of research methods in the arts and humanities.
Goals
  • introducing DARIAH and DARIAH-CH
Target audience Researchers, academic staff and librarians.
Organisers Iolanda Pensa, SUPSI DACD
Chiara Barbieri, SUPSI DACD
Prerequisite No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors Cristina Grisot, DARIAH-CH
Duration 1.5 hours
Agenda
  • DARIAH and DARIAH-CH: services and benefits
  • Case studies
  • Q&A
Date and time April 26, 2023 11.00–12.30 CET
Location Online

Link to the webinar

Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch

Wikidata: Arts and Humanities[edit]

Abstract The webinar is an hands-on introduction to Wikidata with a specific focus on data related to the fields of arts and humanities. Wikidata can be a key research tool for researchers in arts design and music and we will see how to use it at best both as users and producers of data. In other words, we will learn how to find, re-use and share data on the platform.
Goals Learn about Wikidata and discover how to use the platform for your own research data.
Target audience Researchers, academic staff and librarians.
Organisers Iolanda Pensa, SUPSI DACD
Chiara Barbieri, SUPSI DACD
Prerequisite No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors Daniel Mietchen
Duration 1.5 hours
Agenda
  • Wikidata (what is it, how does it work)
  • Wikidata for research and researchers
  • How to share references and other documents
  • Arts and humanities on Wikidata
  • Possibile relevant synergies between Wikidata and art and humanities
  • Possible relevant tools
  • Q&A
Date and time 3 May, 2023 11.00–12.30 CET
Location Online

Link to the webinar

Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch

Introduction to Data Management Plan: Specifics of Data in the Arts and Humanities[edit]

Abstract Funding bodies (especially EU and national ones) are asking with increasing frequency for accurate data management plan (DMP) when applying for fundings. DMP is thus become a funding requirement: increasingly, keeping a data management plan alongside research projects is becoming a condition of funding by many research funders, such as SNSF or Horizon Europe. The webinar introduces the benefits of DMP and provides a step by step practical approach to the topic by focusing on four crucial aspects: 1. data collection. 2. ethics, legal aspects, security, 3. data storage and 4. data sharing. In order to provide a hands-on perspective on DMP, the webinar includes a series of case studies that illustrate the dos and don'ts when compiling DMP. Participants are encouraged to send questions and challenges in advance (chiara.barbieri@supsi.ch) and to share their thoughts during the webinar.
Goals
  • Identify Arts-, Design- and Music-specific DMP
  • Provide an hands-on approach to DMP: share tips and strategies
Target audience Researchers, academic staff and librarians.
Organisers Iolanda Pensa, SUPSI DACD
Chiara Barbieri, SUPSI DACD
Prerequisite No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors Dr Deborah Thorpe, Research Data Steward, University College Cork
Duration 1.5 hours
Agenda
  • Introduction to Data Management Plan
  • Specifics of data in Arts, Design and Music
  • Step-by-step process analysis
  • Presentation of case studies
  • Q&A
Date and time 31 May, 2023 11.00–12.30 CET
Location Online

Link to the webinar

Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch

Open Access to cultural heritage: Ethical issues[edit]

Abstract Cultural institutions fulfil the important task of making the digital cultural heritage publicly accessible. For a couple of decades they have made significant strides in digitising and opening up their collections. However, at least in some cases, this process may come into conflict with the rights, values and interests of the original owners of the cultural property or associated communities – this is especially the case with sensitive cultural heritage. This webinar explains why it is important to continue the conversation about copyright and open access to cultural heritage, and how ethical concerns in dealing with sensitive, digital cultural heritage can be adequately addressed.
Goals

The goals of the webinar are to hold a space for open discussions about ethical issues regarding open access to cultural heritage. The webinar aims to offer an opportunity to problematise open access to cultural heritage, understand the ethical implications and suggest some solutions or best practices by looking at case studies.

Target audience Researchers, students, academic staff and librarians.
Organisers Iolanda Pensa, SUPSI DACD
Chiara Barbieri, SUPSI DACD
Prerequisite No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors Brigitte Vézina, Creative Commons International
Duration 1 hour
Agenda
  • Introduction copyright, OA and cultural heritage
  • Ethical concerns in dealing with sensitive, digital cultural heritage
  • Case studies and best practices
  • Q&A
Date and time 26 June, 2023 18.00–19.00 CETT
Location Online

Link to the webinar

Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch

Storing and Sharing Open Data: DaSCH – Swiss National Data and Service Center for the Humanities[edit]

Abstract In order to become 'open', research date need a platform were they can be stored and shared with the scientific community and the general public alike. The webinar will present one of such platforms: DaSCH – Swiss National Data and Service Center for the Humanities. DaSCH is a digital repository for open research data in the humanities in Switzerland that operates according to FAIR principles. By ensuring the long-term preservation and reuse of data in the humanities, it is a useful platform both for researchers who want to publish their research data and for those who want to re-use research data. After introducing its services and benefits, the webinar will present a number a case studies currently available on the repository.
Goals The webinar aims at familiarising participants with DaSCH.
Target audience Researchers, academic staff, librarians, students and practitioners.
Organisers Iolanda Pensa, SUPSI DACD
Chiara Barbieri, SUPSI DACD
Prerequisite No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors tbc
Duration 1.5 hours
Agenda
  • Introduction: open repositories
  • DaSCH: services and benefits
  • Case studies
  • Q&A
Date and time tbc, 11.00-12.30 CET
Location Online
Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch

Open access and multimedia publications[edit]

Abstract One of the main challenges of Open Access in Arts, Design and Music is the multimedia nature of many research projects in these disciplinary fields. Research outputs in Arts, Design and Music are, in fact, not limited to scientific papers, publications and datasets, but also include multimedia materials such as video, music and performances. This webinar focuses on three case studies in order to explore alternative forms of publication that feature multimedia elements. The selected case studies represent cutting-edge research project and provide an overview of the current state of the art. Active participation from members of the audience is highly encouraged as the goal of the webinar is to further debate and encourage creative thinking.
Goals
  • Explore the challenges and advance possible solutions to multimedia publications
  • Investigate alternative forms of publication
Target audience Researchers, academic staff, librarians, students and practitioners.
Organisers Iolanda Pensa, SUPSI DACD
Chiara Barbieri, SUPSI DACD
Prerequisite No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors tbc
Duration 1.5 hours
Agenda
  • Introduction to the challenges of Open Access multimedia publications
  • Presentation of the case studies
  • Q&A
Date and time tbc autumn 2023/winter 2024
Location Online
Fees Attendance is free.
Registration Send an email to chiara.barbieri@supsi.ch