Open Science for Arts, Design and Music/Training/Webinars

Open Science for arts design music

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All webinars are in English. The recordings are released under CC BY 4.0 on SUPSI institutional webside and on DARIAH-Campus.

Calendar

The webinars take place online in the room Open Science of BigBlueButton offered by Wikimedia Italia.

Link to the webinar on BigBlueButton - active during the event

Date	Title	Convenor-s	Link	Recording
February 8, 2023 11.00–12.30am CET	Creative Commons and Open Science for Arts, Design and Music: Session 1	Brigitte Vézina, Creative Commons International	Link to the webinar
February 15, 2023 11.00–12.30am CET	Copyright and Open Access in Switzerland	Suzanna Marazza, USI-CCDigitalLaw	Link to the webinar
March 8, 2023 11.00–12.30am CET	Creative Commons and Open Science for Arts, Design and Music: Session 2	Brigitte Vézina, Creative Commons International	Link to the webinar
April 5, 2023 11.00–12.30am CET	Creative Commons and Open Science for Arts, Design and Music: Session 3	Brigitte Vézina, Creative Commons International	Link to the webinar
April 19, 2023 11.00–12.30am CET	A conversation with ProLitteris	Noa Bacchetta, lawyer Philip Küble, ProLitteris	Link to the webinar
tbc May 2023	Data Management Plan for arts, design and music	tbc
tbc autumn 2023	Open access and ethical issues	tbc
tbc autumn 2023	Open access and performative arts	tbc
tbc autumn 2023/winter 2024	Open access and multimedia publications	tbc

Webinars description

Creative Commons and Open Science for Arts, Design and Music

Abstract	Through this series of three webinars, Creative Commons (CC) aims to help OS-ADM project members develop open licensing expertise and a deeper understanding of recommended practices for better sharing of knowledge and culture, especially cultural heritage. The CC webinars are catered to meet the OS-ADM instructional needs and will provide professional learning opportunities on selected elements of copyright, open licensing in the cultural heritage world, and how to get involved in open movements.
Goals	The goals of the webinars are to hold a space for open discussions with project members with the hopes of educating and engaging in dialog on the many different topics under the umbrella theme of open culture. The CC Open Culture program champions better sharing of cultural heritage collections for the benefit of all and promotes the potential of open access to unlock universal access to knowledge and culture, pursuant to the United Nations’ Sustainable Development Goals. The webinars aim to offer an opportunity to understand CC’s mission, develop knowledge and skills in copyright and open licensing, and gain visibility among a global open culture community that stands for equity, sustainability, access, and better sharing.
Target audience	Researchers, academic staff, librarians, students, administrative staff and practitioners
Organisers	Iolanda Pensa, SUPSI DACD Chiara Barbieri, SUPSI DACD
Prerequisite	No previous knowledge needed.
Convenor-s	Brigitte Vézina, Creative Commons International
Duration	1.5 hours
Agenda	Session 1: – Welcoming remarks, introductions and icebreaker (20 min) – Session 1 (a) : The Story of Creative Commons and Creative Commons Today (20 min) The Story of Creative Commons: the foundation of Creative Commons, copyright law’s role in the creation of Creative Commons Creative Commons Today Creative Commons as a set of licenses, a movement, and a nonprofit organisation The CC Global Network Session 1 (b): Copyright Law (20 min) Copyright Basics: basic history of copyright, purpose of copyright, copyright is automatic, general copyright terms, global Aspects of Copyright, copyright laws differ from country to country, major international treaties The Public Domain: what is the public domain, what is the value of the public domain? Exceptions and Limitations to Copyright: what are limitations and exceptions to copyright and why do they exist?, few common exceptions and limitations to copyright – Session 1 (c): The “open” fields: education, science, culture, data… (20 min) Open education Policy framework OER Open science Policy framework Open climate Open culture Policy framework Contemporary culture Cultural heritage and Open GLAM – Final remarks and closing (10 min) Session 2: – Welcoming remarks, introductions and icebreaker (20 min) – Session 2 (a): Anatomy of a CC license (30 min) License Design and Terminology What do the different CC icons mean? Three layers of CC licenses License Scope How CC works with copyright Time length of license License Types The CC license suite CC license elements License Enforceability Creative Commons case law Potential benefit of seeking non-legal resolutions to disagreements – Session 2 (b): Using open content (30 min) Finding and Reusing CC licensed Work Search for and discover CC licensed works Attribution when reusing CC licensed works Remixing CC licensed Work Basics of an adaptation ShareAlike clause NoDerivatives clause License compatibility – Final remarks and closing (10 min) Session 3: – Welcoming remarks, introductions and icebreaker (20 min) – Session 3 (a): Using CC licenses and CC licensed works (30 min) Choosing and Applying a CC License Important considerations before applying a CC license or CC0 CC’s License Chooser Factors to apply licenses Things to Consider after CC Licensing Changing the license terms Paywalls and CC licensed content Technical format of content Changing your mind about CC licensing – Session 3(b): Guided personal project (30 min) Create your own work and apply a CC license Conclusions and wrap up – Final remarks and closing (10 min)
Date and time	Session 1: 08.02.2023 at 11.00-12.30am CET Session 2: 08.03.2023 at 11.00-12.30am CET Session 3: 05.04.2023 at 11.00-12.30am CET
Location	Online Link to the webinar
Fees	Attendance is free.
Registration	Send an email to chiara.barbieri@supsi.ch
Remarks	The webinars are recorded and the recordings are released under CC BY 4.0 on ... and DARIAH-Campus. Participants are invited to send any questions for speakers to chiara.barbieri@supsi.ch within three days prior to the webinar (05.02.2023, 05.03.2023 and 02.04.2023).

Copyright and Open Access in Switzerland

Abstract	The webinar aims to briefly give an overview of the principles of copyright according to the Swiss Copyright Act with the help of concrete examples, especially what are the conditions for a work to be protected by copyright and related rights, what is the difference between the role of the author and that of the right holder, and which legal licenses, such as private use, educational purposes and quotation, does the law lay down. Moreover, a brief mention on how is the second publication right currently regulated in Switzerland and how can the author publish open access will be provided, after which there will be room for questions.
Goals	After the webinar participants should have enough knowledge about copyright to be more aware on how to generally manage copyrights, both when the participant creates a work (s/he is the author) and in case s/he uses someone else’s work.
Target audience	Researchers, academic staff, librarians, students, administrative staff and practitioners.
Organisers	Iolanda Pensa, SUPSI DACD Chiara Barbieri, SUPSI DACD
Prerequisite	No previous knowledge needed.
Convenors	Suzanna Marazza, USI-CCDigitalLaw
Duration	1.5 hours
Agenda	Welcoming and introduction; What are the conditions for a work (and a photograph) to be protected by copyright and related rights in Switzerland; Who is the Author and who is the Right holder; How is a user allowed to reuse an existing work, according to Swiss legal licenses; How is the second publication right currently regulated in Switzerland and how can an author publish open access; Q&A
Date and time	15.02.2023 at 11.00-12.30am CET
Location	Online Link to the webinar
Fees	Attendance is free.
Registration	Send an email to chiara.barbieri@supsi.ch
Remarks	The webinars are recorded and the recordings are released under CC BY 4.0 on ... and DARIAH-Campus. Participants are invited to send any questions for speakers to chiara.barbieri@supsi.ch by 12.02.2023.

A conversation with ProLitteris

Abstract	After having covered the basics of copyright and Creative Commons licensing in the previous webinars, we now turn our attention to Swiss CMO (Collective right Management Organisations) with a special focus on ProLitteris. Managing the copyright of original works in field of literature, photography and visual arts, ProLitteris is a key stakeholder when dealing with Open Access for Arts, Design and Music. The webinar is a conversation between Noa Bacchetta, attorney-at-law and lecturer with a focus on law in art and design as well as consultant for the OS-ADM research project, and Philip Kübler, ProLitteris CEO/Director General. The discussion will focus on Open Access with the aim of enquiring about the policies and agenda of ProLitteris on the topic. It is an occasion to clarify doubts and get some 'behind the scenes' of decision making. Speakers will discuss different case studies so as to provide a hands-on approach that might resonate with the audience. Participants are encouraged to send questions in advance (chiara.barbieri@supsi.ch) and to share their thoughts during the webinar.
Goals	Clarify ProLitteris' Open Access Policies Answer questions and doubts regarding the function and working principles of ProLitteris Discussion of case studies that provide a hand-on approach to the issues of Open Access Further mutual understanding between ProLitteris (licensors) and the community of researchers, academic staff, librarians and practitioners (licensees) in fields of arts, design and music
Target audience	Researchers, academic staff, librarians and practitioners.
Organisers	Iolanda Pensa, SUPSI DACD Chiara Barbieri, SUPSI DACD
Prerequisite	No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors	Noa Bacchetta, lawyer Philip Kübler, ProLitteris
Duration	1.5 hours
Agenda	Introduction of the contributors Conversation and discussion of case studies Q&A with the audience
Date and time	19.04.2023 at 11.00-12.30am CET
Location	Online Link to the webinar
Fees	Attendance is free.
Registration	Send an email to chiara.barbieri@supsi.ch
Remarks	The webinars are recorded and the recordings are released under CC BY 4.0 on ... and DARIAH-Campus. Participants are invited to send any questions for speakers to chiara.barbieri@supsi.ch by 16.04.2023.

Data Management Plan for arts, design and music

Abstract	Funding bodies (especially EU and national ones) are asking with increasing frequency for accurate data management plan (DMP) when applying for fundings. DMP is thus become a funding requirement: increasingly, keeping a data management plan alongside research projects is becoming a condition of funding by many research funders, such as SNSF or Horizon Europe. The webinar introduces the benefits of DMP and provides a step by step practical approach to the topic by focusing on four crucial aspects: 1. data collection. 2. ethics, legal aspects, security, 3. data storage and 4. data sharing. In order to provide a hands-on perspective on DMP, the webinar includes a series of case studies that illustrate the dos and don'ts when compiling DMP. Participants are encouraged to send questions and challenges in advance (chiara.barbieri@supsi.ch) and to share their thoughts during the webinar.
Goals	Identify Arts-, Design- and Music-specific DMP Provide an hands-on approach to DMP: share tips and strategies
Target audience	Researchers, academic staff and librarians.
Organisers	Iolanda Pensa, SUPSI DACD Chiara Barbieri, SUPSI DACD
Prerequisite	No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors	tbc
Duration	1.5 hours
Agenda	Introduction to Data Management Plan Specifics of data in Arts, Design and Music Step-by-step process analysis Presentation of case studies Q&A
Date and time	tbc May 2023
Location	Online
Fees	Attendance is free.
Registration	Send an email to chiara.barbieri@supsi.ch
Remarks	The webinars are recorded and the recordings are released under CC BY 4.0 on ... and DARIAH-Campus.

Open access and multimedia publications

Abstract	One of the main challenges of Open Access in Arts, Design and Music is the multimedia nature of many research projects in these disciplinary fields. Research outputs in Arts, Design and Music are, in fact, not limited to scientific papers, publications and datasets, but also include multimedia materials such as video, music and performances. This webinar focuses on three case studies in order to explore alternative forms of publication that feature multimedia elements. The selected case studies represent cutting-edge research project and provide an overview of the current state of the art. Active participation from members of the audience is highly encouraged as the goal of the webinar is to further debate and encourage creative thinking.
Goals	Explore the challenges and advance possible solutions to multimedia publications Investigate alternative forms of publication
Target audience	Researchers, academic staff, librarians, students and practitioners.
Organisers	Iolanda Pensa, SUPSI DACD Chiara Barbieri, SUPSI DACD
Prerequisite	No prior knowledge is required but it is recommended to attend the previous webinars.
Convenors	tbc
Duration	1.5 hours
Agenda	Introduction to the challenges of Open Access multimedia publications Presentation of the case studies Q&A
Date and time	tbc autumn 2023/winter 2024
Location	Online
Fees	Attendance is free.
Registration	Send an email to chiara.barbieri@supsi.ch
Remarks	The webinars are recorded and the recordings are released under CC BY 4.0 on ... and DARIAH-Campus.