Open Culture/GLAM Glossary/C
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Capacity building refers to the process of developing and strengthening the skills, instincts, abilities, processes and resources that organisations and communities need to survive, adapt, and thrive in a fast-changing world.
Wikidata: Q1417724 References: Visualization: |
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Change pathway refers to an impact tool to connect the activities and outputs of an organisation with the outcomes experienced by the stakeholder.
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Collection can refer to a specific set of items bound by a common denominator (e.g., a donor or genus). It is also used to refer to a given GLAM’s entire collection.
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Community is used in open GLAM to describe various networked relationships, localization initiatives, and engagement by volunteers, crowdsourcing, general or specific user-groups (e.g., in Wikipedia and Creative Commons), a given geographic area, and so on. For legal purposes, “community” can also describe a group of diverse and distinct individuals with a shared legal injury, or a group of actors disenfranchised from participating in international legal systems due to their non-state legal status. We acknowledge the oppressive ways in which “community” can be used, and actively resist allowing this word to be co-opted.
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Conference refers to an event that can last one to multiple days and consist of the different event types.
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Connecting europe facility (CEF) refers to the EU infrastructure programme supporting the establishment of transport, energy and digital infrastructures, under which the Europeana Digital Service Infrastructure is financed from 2014 to August 2022.
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Content refers to a physical or Digital Object that is part of Europe's cultural and/or scientific heritage, typically held by a Data Provider or by a data provider of the Data Partner.
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Controlled digital lending (CDL) is an emerging method that allows libraries to loan print books to digital patrons in a “lend like print” fashion. Through CDL, libraries use technical controls to ensure a consistent “owned-to-loaned” ratio, meaning the library circulates the exact number of copies of a specific title it owns, regardless of format, putting controls in place to prevent users from redistributing or copying the digitized version. When CDL is appropriately tailored to reflect print book market conditions and controls are properly implemented, CDL may be permissible under existing copyright law.
CDL is not intended to act as a substitute for existing electronic licensing services offered by publishers. Indeed, one significant advantage of CDL is addressing the “Twentieth Century Problem” of older books still under copyright but unlikely ever to be offered digitally by commercial services. The resources on this site offer libraries an opportunity to:
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Copyright refers to copyright (common law jurisdictions) and authors’ rights (civil law jurisdictions), rather than the wider category of rights falling under the intellectual property umbrella. When appropriate, “IPR” is used to signal rights in addition to copyright, like sui generis rights, performers’ rights, or patents. We generally aim for specificity.
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Copyright office hours is an informal, unrecorded event where participants share thoughts and engage in discussions about practical questions in relation to copyright and digital cultural heritage. A moderator and a special guest with expertise on the topic at hand lead the session, but all participants are given the equal right to participate.
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Core service platform is part of a Digital Service Infrastructure (funded through procurement), enabling trans-European connectivity and interoperability. For Europeana, this means the set of services that includes the aggregation infrastructure, the collections website, the APIs, interoperability services and capacity-building efforts that enable the digital transformation of the cultural heritage sector.
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Cultural heritage is a very loaded term, and some might even contest its use. Here, it is used in the broadest sense possible, even generically, to include scientific, information, data, and other collection types and materials. It also refers to intangible aspects of cultural heritage, like songs, practices, expressions, and dance, which may remain intangible or made “tangible” through its documentation or recording.
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